a retreat + museum of australian indigenous culture

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Palawa has a deep intention of aiming to induce in its visitors a sense of understanding and acknowledgement of diversity with Maria Island, uniquely positioned as a place of exile and symbol of colonization, as the teacher. Through becoming intimate with the site and its spirit, visitors bear witness to a dark chapter of humanity, one which is a symbol of the human tendency towards fear of the “other.”  

This opens them to an understanding and recognition of past events that will shape how they later act in the world and the way they approach the “other.” The retreat enables people to move from ignorance, to statistical knowledge, to a deeper experience that will help people realize how to respond to both the past and future interactions with those who are different from ourselves. 

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site axonometric

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Indigenous forms and elements are brought back into the site, infiltrating the colonial settlement. The forms break through some of the existing walls and are a part of the landscape, allowing people to 

recognize and appreciate the land. 

The majority of the interventions inspired by indigenous forms are located outside as immersion in the environment and landscape is a stronger tie to indigenous culture than indoor areas. There are multiple lookout points to enhance views of nature and experience the vastness of the landscape. 

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The meditation and teaching room is a space influenced by both western and indigenous contemplation cultures. Through meditation, visitors can reflect upon their learnings at the site and gain deeper understanding of the attitudes that shaped the colonial landscape they are immersed in. From here they can better understand how to approach the “other.”

The museum and library provide an opportunity to learn from indigenous objects, art and books. The form of the didgeridoo can be seen in the museum and is iterated throughout the site, often being superimposed on the colonial architecture as a form of indigenous visual infiltration. 

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